Monday 23 May 2011

Good Night, and Good Luck (2005)


The 1950s should have been a time filled with peace and prosperity, a time where humanity would finally realise their inhumanity to each other and live in brotherly harmony together at last after such a destructive and horrific war. Unfortunately, it was an era of paranoia and fear, especially in America, of the newest "evil": Communism. The paranoia was fuelled by four factors; The Soviet Union’s conquest of Eastern Europe; the spread of Communism in Asia; the execution of Julius and Ethel Rosenberg, two American Communists who were convicted as committing espionage and giving information on atomic bombs to the Soviet Union; and the most important element in exploiting the fear of Communism and creating a nation of paranoia was Joseph Raymond “Joe” McCarthy, a US Senator who made the claim that Communists were infiltrating the country and were working in the highest levels of government. Many would not dare criticise McCarthy due to fear of being labelled a Communist by McCarthy, however, one man did stand up against the McCarthy witch hunts, a journalist and broadcaster more famous for his wartime broadcasts from London during the Blitz, Edward R. Murrow. Through the Columbia Broadcasting System (CBS), he would criticise and fight against McCarthy’s wild accusations and is believed to be instrumental in both the downfall of McCarthy and the rise of television’s responsibility to inform and illuminate the thoughts and minds of people and not hide the uncomfortable and ugly truths. And so, his struggle to do both is presented in the excellent Good Night, and Good Luck.

Wednesday 11 May 2011

Black Dynamite (2009)


Spoof films haven‘t exactly been anticipated with admirable gusto from audiences recently, but who can blame them when most Spoof films are made by the sultans of shit, Jason Friedberg and Aaron Seltzer. That’s right, the fuck-tards who made the Scary Movie series, Date Movie, Epic Movie, Disaster Movie, Meet the Spartans and Vampires Sucks, all of which are about as entertaining as being stabbed with a knife made of salt and hepatitis. Each of their films are just terrible and unfunny; what they think is a clever comedic spoof of something is just a pop culture reference with a dick and/or fart and/or sex and/or MILF joke, also known as ‘unfunny Family Guy sketch’. And because each film made ridiculous amounts of money (some make triple their budget), those two assassins of comedy have a poisonous grip on the Spoof genre, so it is no surprise that most Spoof films just fly under the radar of audiences for fear of being the same as the cinematic abortions of Friedberg and Seltzer. A fact that is a shame for Black Dynamite, because it is a brilliant and funny Spoof film that completely trumps Friedberg and Seltzer’s entire filmography.

Saturday 7 May 2011

The Big Lebowski (1998)


Joel and Ethan Coen, better known as the Coen Brothers, are possibly the masters of the cult film. Every film they have made has never reach a large mainstream success; I could ask anyone in the UK if they ever saw James Cameron’s Avatar and every single one would say “yes“, but only a few would answer in the affirmative to seeing Fargo, Miller’s Crossing or, this review’s subject, The Big Lebowski or to even knowing who the Coen Brothers are. This is a shame because, not to sound disparaging to Avatar or James Cameron, they are brilliant films and filmmakers that trump many over-hyped mainstream films. Especially with The Big Lebowski, a surreal, eccentric and humorous film that has become one of my all time favourite Comedy or Film Noir or Mystery Thriller and one of my all time favourite films.